• The Infractions Forum is available for public view. Please note that if you have been suspended you will need to open a private/incognito browser window to view it.

[Movies] The 2019 Box Office Report

Hunter

Registered User
Validated User
(Spoiler alert: BIG WINNER: DISNEY ;) ).
To wit:

The Lion King 2019 may not look like a traditional animated movie, but it's now the highest-grossing animated movie of all time.

I know we're not supposed to call it "live-action," even though The Lion King gets lumped in with all of Disney's live-action remakes. The new movie is considered a "photorealistic" computer-animated remake of the 1994 animated classic. So it still falls in the animation category. But even if you refuse to see it that way, The Lion King is also now the #1 Disney remake, period.

Disney wins either way, but just this weekend, The Lion King managed to pass the worldwide grosses of Incredibles 2 and Frozen, dethroning Frozen as the highest-grossing animated movie ever.

It's especially impressive when you realize The Lion King is far from done.

Behind Frozen is 2018's Incredibles 2 at $1.242 billion, and Minions at $1.15 billion, then Toy Story 3, Despicable Me 3, Finding Dory, and Zootopia.
 

Blizzardborn

Hiding in a snowdrift
Validated User
And tellingly six of the eight listed belong to Disney (3 WDAS, 2 Pixar and I don't even know which subsidiary studio does the remakes).
 

Hunter

Registered User
Validated User
Now that August is coming to a close, time to check out the big winners and losers of the summer box office season. Surely some non-Disney films managed to squeak into the winners circle..?

Leading off, Screen Rant assesses the overall state of play in the wake of summer 2019:

Overall the season was something of a downer for the industry. Domestic revenue was down and the changing economics of the industry have tilted the odds further in favor of a mere handful of companies. Really, Disney is the one winning in this scenario. If audiences are only going to see on average five or six movies a year, the chances are the ones they're picking at something Marvel, Star Wars, or Disney related, meaning only one company benefits. Other films can prevail in this system, but the uphill climb to success is steeper than ever, for both major studios and indie productions. As movies become too big to fail and only Disney is playing the game with a full deck, how do you keep up?
 

Hunter

Registered User
Validated User
EW counts down the films that were winners and losers at the box office:

(This article didn't include AVENGERS: ENDGAME on it's list because they went with the tradition Memorial-Day-to-August definition of "summer movie season". If you do include it, it is obviously THE hit of the summer, the year, possibly the entire decade...)

Winner: The Lion King (July 19): $1.3 billion
Derided by some critics as an unnerving deepfake-ian uncanny valley re-imagining, yet it seems like everybody saw The Lion King reboot anyway. As Forbes first pointed out, The Lion King is either Disney’s biggest “non-Marvel/non-Star Wars” live-action movie ever or the highest-grossing animated movie of all time — depending on whether you consider this a live-action movie (what it looks like) or an animated movie (what it actually is).

Loser: Shaft (June 14): $21 million
Shaft proves that even the most bankable star in Hollywood can sometimes have a total bomb. Back in January, it was tabulated that Samuel L. Jackson’s 120 movies have earned a staggering $13.3 billion worldwide. Shaft won’t change that estimate one bit. The action sequel came and went so quickly you probably didn’t realize it was released.

Winner: Rocketman (May 31): $186 million
Many compared Rocketman’s performance to last year’s Bohemium Rapsody,which is pretty unfair. Yes, the subject matter is similar, and both films had around a $40 million budget and even shared the same director (Dexter Fletcher). But Rocketman was R-rated vs. Rapsody’s PG-13 and the latter was the highest-grossing music biopic of all time. It’s like releasing a new R-rated superhero title and everybody goes, “But Avengers: Infinity War did a lot better, didn’t it?” Imagine if Rocketman had come out first. Then the story would have been: “Look, a music biopic about a classic rock superstar did really well!”

Loser: Dark Phoenix (June 7): $252 million
Back in 2016, X-Men: Apocalypse sounded the franchise fatigue warning bell loud and clear. Then came Dark Phoenix to prove X-Men needs a rest, a rethink, or both. With a reported $200 million budget, Dark Phoenix only made $65 million domestically and Disney blamed the title on its earnings call last week for hurting its quarterly returns now that Fox under the studio’s umbrella.

Winner: Aladdin (May 24): $1 billion
Weak reviews and some online mockery doesn’t change the fact that Aladdin hit the big B. In fact, if you don’t adjust for inflation, Aladdin is Will Smith’s most successful film ever, edging out Independence Day. On Rotten Tomatoes, the critics’ average score (57 percent) and audience score (94 percent) were notably split too. The film’s performance overshot expectations and — along with The Lion King — suggests Disney’s live-action reboot strategy is working even if fans of the originals gripe.

Loser: Child’s Play (June 21): $29 million
Child’s Play was envisioned as the relaunch of the horror franchise. Though the title may have earned back its low budget, and had a clever AI angle on the well-trod story, these returns are really meager — especially when compared to that other haunted doll movie.

Winner: Annabelle Comes Home (June 28): $219 million
The Conjuring universe keeps paying big dividends with its latest release. The hey-it’s-better-than-expected third Annabelle film only cost around $30 million to produce. After grinding out The Nun less than a year ago and The Curse of La Llorona this spring, WB is smartly tapping the brakes a bit on the horror franchise, making fans wait more than a year for its next title, Conjuring 3.

Loser: Godzilla: King of the Monsters (May 31): $385 million
No-brainer theory: People like summer monster movies best when the story is likable people vs. scary monsters — like the original Jurassic Park or even last year’s surprise hit The Meg. Granted, Godzilla is technically a kaiju hero, but trailers for Godzilla: King of the Monsters were full of adoring monster shots while human characters yelled at each other. The film came in well below other titles in the franchise like 2014’s Godzilla and 2017’s Kong: Skull Island. Not a flop, but disappointing given a budget around $170 million.

Winner: John Wick: Chapter 3 – Parabellum (May 17): $320 million
It’s not often the third movie in a franchise is the most popular — and best — of the bunch. The action orgy Parabellum outperformed the first two films combined. At the same time, at a time when Universal is canceling its socio-political satire The Hunt (because the way to combat mass shootings is to … ban a movie?) the gun-loving franchise has surprisingly avoided getting significantly mired in a violence-in-entertainment controversy, a factor that’s really only a matter of timing (how would Parabellum been received if it was released last weekend?).

Split Decision: Midsommar (July 3): $34 million
Hipster horror darling Ari Aster’s latest shocker received positive reviews and has almost certainly turned a profit given its reported $9 million budget. But the film still performed quite modestly for a horror title, and earned half as much as Aster’s previous cult sensation, last year’s Hereditary. Unfortunately for the state of indie film, the title was touted as the biggest indie launch weekend of the year despite opening outside the top 5.

Winner: Spider-Man: Far From Home (July 2): $1.1 billion
Tom Holland’s second stand-alone outing as the web-slinger accomplished its most important mission: Beating 2017’s Homecoming and joining the billion-dollar club.

Split Decision: Booksmart (May 24): $25 million
Given this was Olivia Wilde’s buzzy and acclaimed directorial debut (with a huge 97 percent critic average on Rotten Tomatoes), it’s poor performance generated controversy and finger-pointing — from the film’s marketing to its wide rollout strategy. But it’s very low reported budget ($6 million) offsets that very low box office. Wilde noted: “A wide release for a small film is def a major gamble. I’m lucky my first movie is in any theater at all! Also proud a movie like this can be seen by the entire country at once.”

Winner: Toy Story 4 (June 21): $990 million
Of course it’s a winner. This performance is pretty much in line with the other Toy Story films when adjusted for inflation. Another family-friendly title Detective Pikachu ($431 million) also did well, while Secret Life of Pets 2 ($378 million) was considered a slight disappointment given expectations.

Loser: Men in Black: International (June 14): $250 million
The worst performing film in the sci-fi-comedy franchise plus lousy reviews make for an unsuccessful attempt at reviving the series despite the reteaming of Thor: Ragnarok duo Chris Hemsworth and Tessa Thompson.

Loser: The Dead Don’t Die (June 14): $14 million
Joins Shaft in the “[Googles to make sure it was actually released]” category of summer box office reportage. A zombie movie starring Adam Driver, Bill Murray, Selena Gomez, Tilda Swinton, Steve Buscemi, Iggy Pop, Danny Glover, Tom Waits, Chole Sevigny, RZA, and Rosie Perez? What happened here? Reviews called out the film for being a lifeless downer and its audience scores were even worse.

TBD: Once Upon a Time in Hollywood (July 26): $108 million
How is this not already a Winner? It’s Quentin Tarantino’s “Biggest Opening Weekend Ever,” right? Isn’t it a triumph of original filmmaking amid a summer of sequels and franchises? But let’s imagine for a moment that Once Upon a Time in Hollywood wasn’t an acclaimed Tarantino movie. Imagine this was, for example, another Maze Runner sequel (as painful as such a prospect is to consider). What if this Maze Runner movie cost $90 million to make (plus marketing) and has earned $100 million domestic thus far? Now imagine further this hypothetical Maze Runner movie also had reportedly huge back-end talent deals and one trade magazine claimed the film needs $400 million to break even. Even with the title yet to open in most foreign markets — where it’s expected to do quite well — that’s a steep hill to climb just to get into the black, so this one is still too soon to call …

Winner: Fast & Furious Presents: Hobbs & Shaw (Aug. 2): $331 million
Performing well for a spinoff with a muscular $200 million budget. If only the film was released under its incredible Japanese title — Wild Speed: Super Combo — it might be doing even better. Also, near the end of the film, The Rock takes off his shirt for a fight scene, then runs and jumps on the back of a truck where he somehow whips out the shirt again and puts it back on mid-chase in order to resume wearing a shirt for the rest of the film’s climax. This admittedly has nothing to do with the film’s box office, but was kinda amazing.
 

SorcererNinja

Ace Valkryie Pilot
RPGnet Member
Validated User
That makes Hobbs and Shaw sound the perfect end of the summer nonsense movie. I might have to go see it if we get hit with more hot weather.
 

Strange Visitor

Grumpy Grognard
Validated User
I also think at least three of those movies did far worse than they deserve, but I've expressed my opinion about this summer's movies cannibalizing each other before.
 
Top Bottom